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LASTMAN, Pieter Pietersz. The Angel and Tobias with the Fish g oil painting


The Angel and Tobias with the Fish g
Painting ID::  7817
LASTMAN, Pieter Pietersz.
The Angel and Tobias with the Fish g
c. 1625 Oil on wood, 34,3 x 59 cm Museum of Fine Arts, Budapest

   
   
     

LASTMAN, Pieter Pietersz. The Angel and Tobias with the Fish (detail) f oil painting


The Angel and Tobias with the Fish (detail) f
Painting ID::  7818
LASTMAN, Pieter Pietersz.
The Angel and Tobias with the Fish (detail) f
c. 1625 Oil on wood Museum of Fine Arts, Budapest

   
   
     

LASTMAN, Pieter Pietersz. The Sacrifice of Abraham (mk05) oil painting


The Sacrifice of Abraham (mk05)
Painting ID::  20362
LASTMAN, Pieter Pietersz.
The Sacrifice of Abraham (mk05)
Wood,14 1/4 x 16 1/2''(36 x 42 cm).Acquired in 1895

   
   
     

LASTMAN, Pieter Pietersz. Abraham on the Way to Canaan oil painting


Abraham on the Way to Canaan
Painting ID::  29104
LASTMAN, Pieter Pietersz.
Abraham on the Way to Canaan
mk65 1614 Oil on canvas transferred from panel 28x48"

   
   
     

LASTMAN, Pieter Pietersz. Detail of Abraham on the Way to Canaan oil painting


Detail of Abraham on the Way to Canaan
Painting ID::  29105
LASTMAN, Pieter Pietersz.
Detail of Abraham on the Way to Canaan
mk65 Details

   
   
     

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     LASTMAN, Pieter Pietersz.
     Dutch Baroque Era Painter, ca.1583-1633 Dutch painter and draughtsman. He was the son of the goldsmith Pieter Segersz. His older brother Seeger Pietersz. [Coninck] became a goldsmith like his father, while his younger brother Claes Lastman became an engraver and painter. Pieter trained as a painter under the Mannerist artist Gerrit Pietersz., brother of the composer Jan Pietersz. Sweelinck. In June 1602 Lastman travelled to Rome, like so many of his contemporaries. Van Mander, in his biography of Gerrit Pietersz., mentioned his pupil 'Pieter Lasman [sic] who shows great promise, being presently in Italy'. While there, Lastman made two drawings of an Oriental in a Landscape (both 1603; Amsterdam, Rijksmus.), which betray his continuing stylistic dependence on his master (as can also be seen in three drawings made before his trip to Italy). Related to the drawings made in Italy is a series of 12 prints after designs by Lastman of figures in Italian costumes (Hollstein, nos 11-22). Lastman also visited Venice, as is documented by a drawing (Cambridge, Fitzwilliam) after Veronese's Adoration of the Shepherds in the church of SS Giovanni e Paolo. Lastman was apparently in Italy until March 1607 but thereafter spent the rest of his life in Amsterdam.

     Related Artists::.
     | Sir John Lavery | Edouard Brindeau de Jarny | David Dalby |


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